As regards the MEDIA sub-program<\/strong>, the most successful funding scheme is that of automatic film distribution, with 537 projects financed for a total of 23.9 million euros. In the last place we find – with one million euros and only one funded project – film education.<\/p>\n\n\n\n Moving on to the Culture sub-program<\/strong>, most of the funds (\u20ac 30.8 million) were allocated to 21 large-scale collaboration projects, while small-scale cooperation projects – although more numerous (87) – received 16, 2 million euros. At the end of the ranking are the framework agreements for literary translations, with 16 projects for 1.2 million euros.<\/p>\n\n\n\n The report shows that the success rate<\/strong> of the proposals presented is not homogeneous. In fact, in the MEDIA sub-program, the success rate was particularly low for the development of video games (22%), film content (21%) and for the call ‘Digital transmission of culture and audiovisual content’ (13%).<\/p>\n\n\n\n In the Culture sub-program, on the other hand, the success rate of cooperation projects<\/strong> has grown progressively, thanks to the greater financial availability and the better quality of the proposals presented.<\/p>\n\n\n\n These are mainly small companies<\/strong>, with micro-enterprises leading both in the MEDIA and Culture sub-program.<\/p>\n\n\n\n In particular, in the MEDIA sub-program micro-enterprises represent 71%<\/strong> of the beneficiaries, followed by small (26%) and medium-sized enterprises (3%). Large companies, on the other hand, account for 0.6%.<\/p>\n\n\n\n![\"Creative](\"https:\/\/magazine.battage.info\/wp-content\/uploads\/2020\/09\/Europa-Creativa-report-bandi-2019-1.jpg\")
<\/figure><\/a><\/div>\n\n\n\n<\/figure><\/a><\/div>\n\n\n\nWho are the main beneficiaries of Creative Europe?<\/h2>\n\n\n\n